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First Look: Dan Henry 1972 Alarm Chronograph

First Look: Dan Henry 1972 Alarm Chronograph


Reverences in the watchmaking scene will in general be a state of contention. It’s simple enough when somebody attempts to copy a current plan to level allegations of predictability or altogether copyright infringement. Then again, when it’s done right, a tribute can be an extraordinary method to bring an uncommon or a distant memory watch to today’s client, particularly when vintage costs are just climbing. Dan Henry appears to see precisely how to do this.  

Over the previous two years, Dan Henry has caught the embodiment of a few exemplary styles without straightforwardly duplicating a particular piece, and it’s been a profoundly fruitful recipe. With their most recent watch, the 1972 Alarm Chronograph, Dan Henry is changing the playbook.

Rather than a mix of components, there’s one clear motivation this time around: the world’s first dark PVD watch, the Orfina Porsche Design Chronograph I (or the Heuer Pasadena, or the LeJour 7000, contingent upon your marking inclinations). By and by, Dan Henry actually takes many jumps with this exemplary plan, adequately rehashing the style and adding usefulness. How well does this reevaluation work? Let’s take a nearer look.

At first look, the instance of the Dan Henry 1972 is a close precise of the Porsche Design Chronograph I, yet little subtleties to a great extent give it its own character. The in general blocky, hooded-haul shape is as agelessly energetic now as it was in 1972, offering manly presence while staying straightforward and device observe clean. A slight upsize from 40 to 41 millimeters across shouldn’t change the manner in which it feels on the wrist, and generally speaking the plan should in any case wear very compact gratitude to a tempered 45.7-millimeter haul to-carry length.  

The other significant giveaway that this is something new comes at seven o’clock, where a crown for the alert capacity unobtrusively extends out. You haul it out to turn on the caution capacity and push it in to turn it off.

The dial is the place where the 1972 truly comes into its own. Like the case, it begins with an essential format pulled from the Porsche Design Chronograph I—lume covered stick hands, a 6/9/12 chronograph sub-dial format, little rectangular records, a spotless section ring with a broadly separated tachymeter, and a needle seconds hand—but the 1972 Alarm Chronograph additionally stamps its innovation here intensely. First of all, this is a sandwich dial, keeping the lumed lists on a subsequent lower level to add profundity. Also, obviously, the 1972’s party piece is the caution complication, communicated here with a skeletonized and lumed triangle on a stick and an unpretentious on/off pointer somewhere in the range of 7 and 8 o’clock. Generally speaking, it offers smooth usefulness without compromising the tasteful.  

Inside the Dan Henry 1972 Alarm Chronograph is somewhat of a peculiarity. The Miyota 0S80 quartz development is infrequently seen, yet after all how frequently does one see a three-register caution chronograph in today’s market? While a few idealists may weep over the utilization of quartz, there just isn’t a mechanical development in the current field that could deal with this combination for anything short of multiple times the price.

Dan Henry matches the 1972 with a coordinating H-interface wristband and deployant clasp. It streams easily into the hooded carries and keeps the forceful lively vibe going.

Even for adversaries of praise watches, it’s hard to criticize the 1972 Alarm Chronograph. While the style is immediately conspicuous, Dan Henry unmistakably isn’t attempting to deceive anybody with this one, and carries generous changes with added usefulness to this exemplary plan. Both the PVD and matte pure variations are accessible in a restricted run of 1972 pieces, and at a cost of just $350 they’re sure to move quick to be sure. Dan Henry